{"id":5899,"date":"2018-11-29T15:33:36","date_gmt":"2018-11-29T13:33:36","guid":{"rendered":"https:\/\/philology.upatras.gr\/?page_id=5899"},"modified":"2022-10-11T13:16:48","modified_gmt":"2022-10-11T11:16:48","slug":"phil_courses","status":"publish","type":"page","link":"https:\/\/philology.upatras.gr\/en\/phil_courses\/","title":{"rendered":"Courses"},"content":{"rendered":"

[fusion_builder_container hundred_percent=”no” equal_height_columns=”no” menu_anchor=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” background_color=”” background_image=”” background_position=”center center” background_repeat=”no-repeat” fade=”no” background_parallax=”none” parallax_speed=”0.3″ video_mp4=”” video_webm=”” video_ogv=”” video_url=”” video_aspect_ratio=”16:9″ video_loop=”yes” video_mute=”yes” overlay_color=”” video_preview_image=”” border_color=”” border_style=”solid” padding_top=”” padding_bottom=”” padding_left=”” padding_right=”” type=”legacy”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_color=”” border_style=”solid” border_position=”all” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” center_content=”no” last=”true” min_height=”” hover_type=”none” link=”” border_sizes_top=”” border_sizes_bottom=”” border_sizes_left=”” border_sizes_right=”” first=”true”][fusion_text columns=”” column_min_width=”” column_spacing=”” rule_style=”” rule_size=”” rule_color=”” hue=”” saturation=”” lightness=”” alpha=”” content_alignment_medium=”” content_alignment_small=”” content_alignment=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” sticky_display=”normal,sticky” class=”” id=”” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” fusion_font_family_text_font=”” fusion_font_variant_text_font=”” font_size=”” line_height=”” letter_spacing=”” text_transform=”” text_color=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ animation_offset=””]<\/p>\n

Winter Semester Schedule, Academic Year 2022-2023<\/a><\/p>\n

Courses <\/strong><\/h1>\n

Semester 1<\/strong><\/p>\n

Introduction To Classical Studies<\/a><\/p>\n

Greek Reading I<\/a><\/p>\n

Introduction to Byzantine Philology<\/a><\/p>\n

Introduction to Modern Greek Literature<\/a><\/p>\n

Introduction to Linguistics I<\/a><\/p>\n

Ancient Greek History<\/a><\/p>\n

Greek History: \u00a0Modern and Contemporary<\/p>\n

Greek Language I (FOR ERASMUS STUDENTS)<\/a><\/p>\n

Introduction to Greek Culture and Civilization (FOR ERASMUS STUDENTS)<\/a><\/p>\n

Semester 2<\/strong><\/p>\n

Homeric Epics<\/a><\/p>\n

Latin\u00a0Reading<\/a><\/p>\n

Introduction to Plato<\/a><\/p>\n

Solomos and the School of the Ionian Islands<\/a><\/p>\n

Introduction to General Linguisics II<\/a><\/p>\n

Hellenistic and Roman History<\/a><\/p>\n

Byzantine History<\/p>\n

Greek Language I (FOR ERASMUS STUDENTS)<\/a><\/p>\n

Introduction to Greek Culture and Civilization (FOR ERASMUS STUDENTS)<\/a><\/p>\n

Semester 3<\/strong><\/p>\n

Sophoklis And The Polis<\/em><\/a><\/p>\n

Latin Epics I: Virgil<\/a><\/p>\n

Byzantine Texts and Culture<\/a><\/p>\n

Descriptive Analysis of Modern Greek<\/a><\/p>\n

Comparative Literature: Literature And Arts<\/a><\/p>\n

Modern and Contemporary Greek History<\/p>\n

Cretan Literature<\/a><\/p>\n

Ancient Greek History<\/a><\/p>\n

Semester 4<\/strong><\/p>\n

Ancient Greek Historians: Herodotus<\/a><\/p>\n

Roman Historiography<\/a><\/p>\n

Modern Greek Prose Fiction 1830-1914<\/a><\/p>\n

History of the Greek Language<\/a><\/p>\n

Democracy and City States in Ancient Greece<\/a><\/p>\n

Vernacular Byzantine Literature<\/a><\/p>\n

Poetics Issues<\/a><\/p>\n

Linguistic Applications<\/a><\/p>\n

Hellenistic and Roman History<\/a><\/p>\n

[\/fusion_text][\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container][fusion_builder_container hundred_percent=”no” equal_height_columns=”no” menu_anchor=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” background_color=”” background_image=”” background_position=”center center” background_repeat=”no-repeat” fade=”no” background_parallax=”none” parallax_speed=”0.3″ video_mp4=”” video_webm=”” video_ogv=”” video_url=”” video_aspect_ratio=”16:9″ video_loop=”yes” video_mute=”yes” overlay_color=”” video_preview_image=”” border_color=”” border_style=”solid” padding_top=”” padding_bottom=”” padding_left=”” padding_right=”” type=”legacy”][fusion_builder_row][fusion_builder_column type=”1_1″ layout=”1_1″ background_position=”left top” background_color=”” border_color=”” border_style=”solid” border_position=”all” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding_top=”” padding_right=”” padding_bottom=”” padding_left=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” center_content=”no” last=”true” min_height=”” hover_type=”none” link=”” border_sizes_top=”” border_sizes_bottom=”” border_sizes_left=”” border_sizes_right=”” first=”true”][fusion_tabs design=”classic” layout=”horizontal” justified=”yes” alignment=”start” sticky_tabs=”no” sticky_tabs_offset=”” icon=”” icon_position=”” icon_size=”” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” class=”” id=”” margin_top_medium=”” margin_right_medium=”” margin_bottom_medium=”” margin_left_medium=”” margin_top_small=”” margin_right_small=”” margin_bottom_small=”” margin_left_small=”” margin_top=”” margin_right=”” margin_bottom=”” margin_left=”” title_tag=”h4″ fusion_font_family_title_font=”” fusion_font_variant_title_font=”” title_font_size=”” title_line_height=”” title_letter_spacing=”” title_text_transform=”” title_padding_top=”” title_padding_right=”” title_padding_bottom=”” title_padding_left=”” content_padding_top=”” content_padding_right=”” content_padding_bottom=”” content_padding_left=”” bordercolor=”” hue=”” saturation=”” lightness=”” alpha=”” active_border_color=”” inactivecolor=”” title_text_color=”” icon_color=”” backgroundcolor=”” title_active_text_color=”” icon_active_color=”” mobile_mode=”” mobile_sticky_tabs=””][fusion_tab title=”Classics” icon=”” icon_color=”” hue=”” saturation=”” lightness=”” alpha=”” icon_active_color=””]<\/p>\n

Semester 5<\/strong><\/p>\n

Hellenistic and Roman Philosophy<\/a><\/p>\n

The Dramatic Art of Euripidis<\/a><\/p>\n

Ancient Greek and Roman Biography<\/a><\/p>\n

Archaic Epic: Hesiod<\/a><\/p>\n

Ancient Greek Literary Criticism<\/a><\/p>\n

Greek Love Song: The Paraklaysithyron<\/a><\/p>\n

History of European Literature, 19th<\/sup>-20th<\/sup> Centuries<\/a><\/p>\n

Byzantine Poetry<\/a><\/p>\n

Historical Grammar of Ancient Greek<\/a><\/p>\n

Prose Fiction In The Interwar Years<\/a><\/p>\n

Digital Humanities I<\/a><\/p>\n

Psychology, Family and School<\/a><\/p>\n

Semester 6<\/strong><\/p>\n

Second Sophistic Literature<\/a><\/p>\n

Thucydides: the Anatomy of Power War, and Human Nature<\/a><\/p>\n

Imperial Literature<\/a><\/p>\n

Ancient Greek\u00a0 and Latin Novel<\/a><\/p>\n

Ancient Greek and Roman Folklore<\/a><\/p>\n

Latin Lyric Poetry<\/a><\/p>\n

Byzantine Historians and Chronographers<\/a><\/p>\n

Palamas-Sikelianos<\/a><\/p>\n

Greek Paleography<\/a><\/p>\n

Theories of Literature: From Formalism to Gender Studies<\/a><\/p>\n

Language Contact<\/a><\/p>\n

Digital Humanities II<\/a><\/p>\n

Education and Society<\/a><\/p>\n

Semester 7<\/strong><\/p>\n

Latin Satire<\/a><\/p>\n

Plato and the Art of Philosophical Dialogue<\/a><\/p>\n

Late Antique<\/a><\/p>\n

Ancient Greek Lyric Poetry<\/p>\n

Epigraphy<\/a><\/p>\n

C.P. Cavafy<\/a><\/p>\n

Byzantine Literature: Michael Psellos and the Comnenian \u0395ra<\/a><\/p>\n

Teaching Methods of Literature<\/a><\/p>\n

Avant-Garde Movements In Art And Literarure ( 20th Century)<\/a><\/p>\n

Adolescent Psychology<\/a><\/p>\n

Semester 8<\/strong><\/p>\n

Latin Epic II: Lucretius – Ovid<\/a><\/p>\n

Aristotle: The Natural Desire of Humans for Knowledge, and the Good Life<\/a><\/p>\n

Feminist Criticism and Classical Studies<\/a><\/p>\n

Hellenistic Poetry<\/a><\/p>\n

Aristophanes & The Art Of Comedy<\/a><\/p>\n

Papyrology<\/p>\n

G. Seferis<\/a><\/p>\n

Late \u0392yzantine Literature<\/a><\/p>\n

Modern Greek Literature: Fiction, History and Memory during the \u2018Metapolitefsi\u2019<\/a><\/p>\n

Literature and Psychoanalysis<\/a><\/p>\n

[\/fusion_tab][fusion_tab title=”Linguistics” icon=”” icon_color=”” hue=”” saturation=”” lightness=”” alpha=”” icon_active_color=””]<\/p>\n

Semester 5<\/strong><\/p>\n

Morphology<\/a><\/p>\n

Phonetics – Phonology<\/a><\/p>\n

Semantics<\/a><\/p>\n

Textlinguistics<\/a><\/p>\n

Historical Grammar of Ancient Greek<\/a><\/p>\n

The Dramatic Art of Euripidis<\/a><\/p>\n

Modern Greek Literature: 1670-1830<\/a><\/p>\n

History of European Literature, 19th<\/sup>-20th<\/sup> Centuries<\/a><\/p>\n

Ancient Greek Literary Criticism<\/a><\/p>\n

Archaic Epic: Hesiod<\/a><\/p>\n

Digital Humanities I<\/a><\/p>\n

Psychology, Family and School<\/a><\/p>\n

Semester 6<\/strong><\/p>\n

Syntax<\/a><\/p>\n

Contrastive Morphology<\/a><\/p>\n

Methodology of Linguistic Research<\/a><\/p>\n

Sociolinguistics<\/a><\/p>\n

Language Contact<\/a><\/p>\n

Palamas-Sikelianos<\/a><\/p>\n

Thucydides: the Anatomy of Power War, and Human Nature<\/a><\/p>\n

Theories of Literature: From Formalism to Gender Studies<\/a><\/p>\n

Education and Society<\/a><\/p>\n

Digital Humanities II<\/a><\/p>\n

Semester 7<\/strong><\/p>\n

Comparative Syntax<\/a><\/p>\n

Lexicology<\/a><\/p>\n

Dialectology<\/a><\/p>\n

Language Change<\/a><\/p>\n

C.P. Cavafy<\/a><\/p>\n

Plato and the Art of Philosophical Dialogue<\/a><\/p>\n

Ancient Greek Lyric Poetry<\/p>\n

Teaching Methods of Literature<\/a><\/p>\n

Adolescent Psychology<\/a><\/p>\n

Semester 8<\/strong><\/p>\n

Discourse Analysis<\/a><\/p>\n

Experimental Phonetics<\/a><\/p>\n

Language Typology<\/a><\/p>\n

Language Contact<\/a><\/p>\n

Lexicography<\/a><\/p>\n

Research Issues on Theoretical Linguistics<\/a><\/p>\n

G. Seferis<\/a><\/p>\n

Aristophanes & The Art Of Comedy<\/a><\/p>\n

Aristotle: The Natural Desire of Humans for Knowledge, and the Good Life<\/a><\/p>\n

Feminist Criticism and Classical Studies<\/a><\/p>\n

Modern Greek Literature: Fiction, History and Memory during the \u2018Metapolitefsi\u2019<\/a><\/p>\n

Literature and Psychoanalysis<\/a><\/p>\n

[\/fusion_tab][fusion_tab title=”Byzantine and Modern Greek Studies” icon=”” icon_color=”” hue=”” saturation=”” lightness=”” alpha=”” icon_active_color=””]<\/p>\n

Semester 5<\/strong><\/p>\n

Byzantine Poetry<\/a><\/p>\n

Modern Greek Literature: 1670-1830<\/a><\/p>\n

History of European Literature, 19th<\/sup>-20th<\/sup> Centuries<\/a><\/p>\n

Prose Fiction In The Interwar Years<\/a><\/p>\n

Ancient Greek Literary Criticism<\/a><\/p>\n

Historical Grammar of Ancient Greek<\/a><\/p>\n

The Dramatic Art of Euripidis<\/a><\/p>\n

Semantics<\/a><\/p>\n

Textlinguistics<\/a><\/p>\n

Psychology, Family and School<\/a><\/p>\n

Digital Humanities I<\/a><\/p>\n

Semester 6<\/strong><\/p>\n

Byzantine Historians and Chronographers<\/a><\/p>\n

Palamas-Sikelianos<\/a><\/p>\n

Greek Paleography<\/a><\/p>\n

Modern Greek Literature: Questions of Research and Methodology<\/a><\/p>\n

Theories of Literature: From Formalism to Gender Studies<\/a><\/p>\n

Thucydides: the Anatomy of Power War, and Human Nature<\/a><\/p>\n

Ancient Greek\u00a0 and Latin Novel<\/a><\/p>\n

Syntax<\/a><\/p>\n

Language Contact<\/a><\/p>\n

Education and Society<\/a><\/p>\n

Digital Humanities II<\/a><\/p>\n

Semester 7<\/strong><\/p>\n

Byzantine Literature: Michael Psellos and the Comnenian \u0395ra<\/a><\/p>\n

C.P. Cavafy<\/a><\/p>\n

Avant-Garde Movements In Art And Literarure ( 20th Century)<\/a><\/p>\n

Teaching Methods of Literature<\/a><\/p>\n

Literature In The Comnenian Era<\/a><\/p>\n

Ancient Greek Lyric Poetry<\/p>\n

Late Antique<\/a><\/p>\n

Plato and the Art of Philosophical Dialogue<\/a><\/p>\n

Epigraphy<\/a><\/p>\n

Lexicology<\/a><\/p>\n

Dialectology<\/a><\/p>\n

Adolescent Psychology<\/a><\/p>\n

Semester 8<\/strong><\/p>\n

Late \u0392yzantine Literature<\/a><\/p>\n

G. Seferis<\/a><\/p>\n

Modern Greek Literature: Fiction, History and Memory during the \u2018Metapolitefsi\u2019<\/a><\/p>\n

Greek Post-War Fiction<\/a><\/p>\n

Aristophanes & The Art Of Comedy<\/a><\/p>\n

Feminist Criticism and Classical Studies<\/a><\/p>\n

Literature and Psychoanalysis<\/a><\/p>\n

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